David de Miguel aktor

Kontakt Członek wspierający about-me-VIDEO

My name is David de Miguel. I was born in Burgos, Spain. Since Iwas little, I demonstrated the typical sensitivity of artists, but theneed to express myself artistically didn't awaken until several years later.
Shortly after turning 19, and being a film enthusiast, I wanted to get behind the camera. I studied the Audiovisual Production and Shows Degree. Later, in three years, I graduated in Filmmaking at the TAI University School in Madrid. In the summer of 2003, I also took a course in Photo Journalism at CEV Madrid.
Something was brewing, and I wasn't realising it. I was hiding behind the camera when what I also wanted was to be in front of it, and it took me a while to admit it. Around the age of 27, I started taking singing lessons because I had a natural talent for it since childhood. My first singing teacher was Dori Madrid, who, whenever
she had a gig with her band, allowed us students to perform live singing a song on stage beside her. That was the first time I stepped on stage, singing "Have you ever seen the rain" by Creedence. I remember the euphoria afterward, and my body trembling, not feeling bad for not hitting all the notes perfectly but feeling that I needed more. After that, I had other singing teachers, such as José María Sepúlveda, with whom I started taking vocal technique at Angela Carrasco's musical theatre school, or Natalia Calderón at one of Madrid's Municipal Music Schools. At the same time, I joined an amateur theatre company with which we performed
three musicals during my time with them: "The Little Mermaid," "We Will Rock You," and "Mamma Mia!"
I was beginning to enjoy the experience and also realising that I lacked basic acting training that I didn't have yet. I found a school where I started studying acting from scratch – Bululú, where I spent the first two years. During these two years, we performed several plays, including "Papis" and "Le Bourgeois gentilhomme" by
Moliere, where I played Cleonte. Around this time, I also started vocal technique with Óscar Mingorance. During these two years, I also filmed several short films like "Betsabé" and the four short films of the session "The Ice Lovers" by Álvaro Santos, where I played the protagonist. These short films led to a feature film that was shot shortly afterward, and due to scheduling commitments, I couldn't play the protagonist again, but I played a supporting role. It was very interesting to play two different characters in the same story. This feature film ended up winning the Granada Film Festival.
Since I couldn't finish the third and final year at Bululú due to availability issues, I tried to complete my training at another school where they
would let me enter at a more advanced level, and that's when I took a course at Juan Codina's school.
In 2016, my life took a radical turn because I also wanted to fulfill an unfinished goal. I wanted to perfect my English, so I decided to move to Melbourne, Australia, for 6 months with the intention of experiencing life, studying at an English college, and returning. However, I didn't return after 6 months; I stayed for more than 3 years because I found a place called the "Howard Fine Acting Studio," where I enrolled in an intensive acting course in 2017. Our usual schedule was from 9 to 5 with a short break for lunch, but we had to find time for rehearsals, study, prepare exercises, so there were days when I had to get up at 5 am in the morning. Howard Fine is one of the most respected and sought-after coaches in Hollywood. He started directing on Broadway, and since the 90s, he has had his own Acting Studio in Los Angeles. He has changed the careers of actors like Will Smith, Brad Pitt, to name a few. For example, when Brad Pitt was having trouble with his character in "Interview with the Vampire," he sought out Howard, and Howard made it possible for Brad to embody Louis. Howard wrote a book called "Fine on Acting," and when two Australians read it, they contacted Howard to convince him to found a second studio in Melbourne because his technique was so magnificent that Australian actors also needed to acquire it. Howard Fine, David Coury, Marilyn McIntyre, and other members of the Los Angeles studio Faculty spent weeks with us, Australian students, teaching us the same disciplines: "Foundation," "Personalization," "Scene Study," "Singing for actors,"... For Howard and the others, the most
important thing is the preparation, conducting an almost detective-like investigation into who the character is, whom we start calling in the first person instead of the third person. There is no correct way to interpret a scene as long as you are a true human being on stage or in front of a camera, living in specific circumstances. If you have done proper preparation, the result is usually good. I have never met stage directors so generous. When the time comes to show your proposal, they always let you show the first minute without interrupting you to not affect your concentration, and then the first thing they ask is: What worked? What didn't work, and Why?
Howard also conducts 4-day Masterclasses that actors outside the academy can also attend, and from day 1 to day 4, unimaginable changes have been seen in many of their stage proposals. I invite everyone to read Howard Fine's book: "Fine on Acting." Howard met Uta Hagen, who influenced him a lot.
In 2017, I traveled to Spain for a short visit and filmed “Con sabor a naranjas."
In 2018, back in Melbourne, I continued my training with additional "Scene Study" courses at HFAS while trying to get acting jobs in Australia. The process was going well, but I couldn't get permanent residency, so I had to return to Spain in October 2019. Until then, I had the opportunity to work in three theatreproductions: "Ebbed," "The Reveal," and "Westerly," and participate in various shorts: "All about Toby," "Camera Roll," "Casuality," and "Straight from the book." In 2018, I also visited Spain and attended a course with the film director Salvador Calvo.
In 2019, shortly after returning to Spain definitively, I resumed vocal technique classes with Óscar Mingorance and started acting training with Roberto Cerdá, but then the lockdown happened, and it wasn't until the end of 2020 that I started filming again. Álvaro Santos found out that I had returned to Spain and contacted me to shoot "Psychochip," which we filmed in November 2020.
In 2021, I attended a course with the Casting director Conchi Iglesias.
In 2022, I filmed two short films: "Dark" and "REM."
In 2024, I attended the Casting Director Course with Luis Cañete, where, in addition to learning how to develop a neutral English accent, we also interpreted monologues and scenes.
I have spent the last few months writing, reading, and thinking about how to produce and develop my own projects. I am starting to write scripts and a play, and in the process of founding a production company with Álvaro Santos. It's exciting because I am going to be behind the camera again, this time knowing the world of actors better thanks to all the knowledge gained along the way.
As of today, in 2024, I am still looking for opportunities and the possibility to showcase my talent, imagination, technique, versatility, and eagerness to work on serious fiction projects.

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Przegląd

narodowośćHiszpania

Językihiszpański (Język ojczysty), angielski (płynnie), angielski - amerykański (płynnie), angielski - brytyjski (płynnie)

Urodzony1980, Burgos, Hiszpania, Kastylia i Leon

Wiek grania36 - 50

Wzrost174 cm

Typy etnicznebiały, hiszpański

miejsce zamieszkaniaMadrid - Madryt (Hiszpania)

nazwisko rodoweDavid Miguel Benito

Umiejętności

Języki hiszpański (Język ojczysty), angielski (płynnie), angielski - amerykański (płynnie), angielski - brytyjski (płynnie)

Śpiew. Nowoczesny (bardzo dobrze), Salsa (bardzo dobrze), Soul (bardzo dobrze), ballada (bardzo dobrze), blues (bardzo dobrze), kabaret (bardzo dobrze), klasyczny (bardzo dobrze), musical (bardzo dobrze), szlagier (bardzo dobrze), śpiew sceniczny (bardzo dobrze), a capella (dobrze), jazz (dobrze), piosenka artystyczna (dobrze), piosenka ludowa (dobrze), śpiewanie piosenek (dobrze)

Ton głosu / dubbing głosu tenor

Prawo jazdy samochód

Wygląd

Wiek grania 36 - 50

Wzrost 174 cm

Sylwetka średniej budowy

Waga 66 kg

Kolor oczu czarny

Kolor włosów czarny

Fryzura średniej długości gładkie

Zarost bokobrody, kozia bródka / bródka, wąsy / wąsy, zarost

bliźniak Nie

Typy etniczne biały, hiszpański

Tatuaż nie ma

Piercing żaden

Blizny nie ma

Wykształcenie

2025 - 2026 warsztat
Actores Madrid
Workshop with Tonucha Vidal, Casting Director
2025 Singing with Ani Sun
2025 Workshop with Juanma López
2025 warsztat
ACT Actores Madrid
Workshop with Rosa Estévez (Casting Director) + JM Carrasco
2024 Workshop with Luis Cañete, Casting Director: Neutral English accent, Monologues, cold readings and scenes
2021 warsztat
Actores Madrid
Workshop with Casting Director: Conchi Iglesias
2019 - 2020 studia aktorskie
Estudio de Actores Roberto Cerdá
Training for Actors
2018 - 2019 studia aktorskie
Howard Fine Acting Studio
Advanced Scene Study with Marilyn McIntyre
2018 warsztat
Actores Madrid
Workshop with Director Salvador Calvo
2017 - 2018 studia aktorskie
Howard Fine Acting Studio
Access all areas with Lisa Laine
2017 - 2018 studia aktorskie
Howard Fine Acting Studio
Voice for actors and Monologues with Stephen Costan
2017 - 2018 studia aktorskie
Howard Fine Acting Studio
On Camera with Shane Connor
2017 - 2018 studia aktorskie
Howard Fine Acting Studio
Masterclass and Scene Study with Howard Fine
2017 - 2018 studia aktorskie
Howard Fine Acting Studio
Scene Study and Working with the Pros with Sarah Hallam
2017 - 2018 studia aktorskie
Howard Fine Acting Studio
Alexander Technique with Penny McDonald
2017 - 2018 studia aktorskie
Howard Fine Acting Studio
Foundation, Personalisation and Scene Study with Marilyn McIntyre
2017 - 2018 studia aktorskie
Howard Fine Acting Studio
SFA 1 and 2.1 (Singing for actors) with David Coury
2017 - 2018 studia aktorskie
Howard Fine Acting Studio
Full-Time Acting Course
2014 - 2020 Singing with Óscar Mingorance
2014 - 2015 studia aktorskie
ESTUDIO JUAN CODINA
Drama studies: One years
2014 warsztat
Bululú 2120
Stage direction course with: Antonio Malonda
2012 - 2014 studia aktorskie
Bululú 2120
Drama studies, 2 years with Sol López, Tolo Ferrá and others
2010 - 2012 studia aktorskie
Escuela de Teatro Musical de Ángela Carrasco
Singing and drama with José María Sepúlveda, Ángela Carrasco y otros
2003 - 2004 Grade in Photo Journalism in CEV, Madrid (2003)
2002 - 2005 Graduate in Filmmaking in TAI, Madrid. Specialized in Camera and Lighting designing
2000 - 2005 Graduate in TV Director in Instituto Diego Marín Aguilera, Burgos (2002)

CV CV - telewizja i streaming CV - Kino CV - teatr CV - reklama CV - inne


CV - telewizja i streaming

2017
Con sabor a naranjas

film telewizyjny

dramat

Lubo Milanov
Reżyseria

Agente
rola drugoplanowa

CV - Kino

2025
Ilegal

film krótkometrażowy

Jared Arrese
Reżyseria


2025
As

film krótkometrażowy

Olaya Fernández
Reżyseria


główna rola

2024 - 2024
Original Sin

Madrid Talent Productions

film krótkometrażowy

dramat, romantyczny

David de Miguel y Álvaro Santos
Reżyseria


dyrektor

2024 - 2024
Mañaneo con mamá

Madrid Talent Productions

film krótkometrażowy

dramat, rodzina

David de Miguel and Álvaro Santos
Reżyseria


dyrektor

2024 - 2024
Pecado original

Madrid Talent Productions

film krótkometrażowy

dramat

David de Miguel y Álvaro Santos
Reżyseria


dyrektor

2024 - 2024
Estoy contigo

Madrid Talent Productions

film krótkometrażowy

dramat, młodość, rodzina

David de Miguel y Álvaro Santos
Reżyseria


dyrektor

2024 - 2024
The last delivery

Madrid Talent Productions

film krótkometrażowy

akcja, gangster, kryminalista

David de Miguel and Álvaro Santos
Reżyseria


dyrektor

2024 - 2024
Enfocando el pasado

film krótkometrażowy

dramat, historie, rodzina

Óscar Lillo
Reżyseria

Esteban (joven)
rola drugoplanowa

2024 - 2024
Encanto

film krótkometrażowy

komedia, młodość, seks

David de Miguel
Reżyseria

Jorge
rola gościa

2024 - 2024
Roller Coaster

Madrid Talent Productions

film krótkometrażowy

dramat, młodość, musical, romantyczny

David de Miguel and Álvaro Santos
Reżyseria


dyrektor

2024 - 2024
Respira

film krótkometrażowy

dramat, kryminał, młodość, rodzina

Lourdes Casanova
Reżyseria

Óscar
główna rola

2024 - 2024
Tina

Kanał/dystrybutor: Madrid Talent Productions

film krótkometrażowy

dramat, młodość, romantyczny

David de Miguel and Álvaro Santos
Reżyseria


dyrektor

2022 - 2022
Oscuro

Be Busted

film krótkometrażowy

dramat

Alba Arencibia
Reżyseria

David
rola drugoplanowa

2022 - 2023
REM

film krótkometrażowy

kryminał

Milena Mikhaylova
Reżyseria

Joel
główna rola

2020
Psicochip

film krótkometrażowy

akcja, eksperymentalny, erotyczny, fantastyka naukowa, fantazja, inne, kryminał, kryminalista, seks, wojna

Álvaro Santos
Reżyseria

Toni
główna rola

2018
All about Toby

film krótkometrażowy

Maryanne Niceforo
Reżyseria


rola drugoplanowa

2018
Camera Roll

film krótkometrażowy

dramat

Jerry Lee
Reżyseria

Pierce
główna rola

2018
Causality

film krótkometrażowy

fantastyka naukowa

Stephen Frost
Reżyseria

Jun
rola drugoplanowa

2018
Video thumbnail
Straight from the book

film krótkometrażowy

komedia

Jason Evans
Reżyseria

Crook rich man
rola drugoplanowa

2015
Los amantes de hielo

film

dramat

Álvaro Santos
Reżyseria

Luis
rola drugoplanowa

2014
Los amantes de hielo

film krótkometrażowy

Álvaro Santos
Reżyseria

Dani
główna rola

2014
Betsabé

film krótkometrażowy

José Manuel Jiménez
Reżyseria

Jesús
główna rola

CV - teatr

2019
Westerly

teatr

komedia

Belinda Campbell
Reżyseria

Adam
główna rola

2018
Ebbed

teatr

satyra

Gerard Dwyer
Reżyseria

Death by misadventure
co-glówna rola

2018
The Reveal

teatr

komedia

Tanya Hendy
Reżyseria

Sam
rola drugoplanowa

2013 - 2014
Papis

Bululú

teatr

Tolo Ferrá
Reżyseria


2012 - 2013
El burgués gentilhombre

Bululú

teatr

Sol López
Reżyseria


CV - reklama

2019
NAB Australian Bank

reklama telewizyjna

Mayday
Reżyseria


rola drugoplanowa

CV - inne

2019
Interactive First Aid Sides for Seagull

Offshore videos

film korporacyjny / przemysłowy

Richard Jordan
Reżyseria


co-glówna rola