Robert Scott aktor
Born on August 8th, 1982. Originally from Panama City, Central America, he began his acting career in Santiago, Chile in 2002, cultivating his craft there before continuing it in Berlin, where he has been based since 2026. His standout project since arriving in Berlin is the film EXPLODING DUCKS by Matthias Glasner.
Przegląd
narodowośćStany Zjednoczone, Chile, Panama
Językihiszpański (Język ojczysty), angielski (płynnie), angielski - amerykański (płynnie), angielski - brytyjski (Na poziomie podstawowym), niemiecki (Na poziomie podstawowym), włoski (Na poziomie podstawowym)
Urodzony1982, Panama, Panama
Wiek grania37 - 47
Wzrost185 cm
Typy etniczneLatynos / Hiszpański, Wieloetniczny
miejsce zamieszkaniaBerlin - Berlin (Niemcy), Florida (Stany Zjednoczone), Berlin - Berlin (Niemcy)
Możliwość zamieszkaniaSantiago (Chile), Panama (Panama), Munich - Bawaria (Niemcy), Madrid - Madryt (Hiszpania)
Zezwolenie na pracęEuropean Union, United States
Kontakt
Alternatywne dane kontaktowe:
Umiejętności
Języki hiszpański (Język ojczysty), angielski (płynnie), angielski - amerykański (płynnie), angielski - brytyjski (Na poziomie podstawowym), niemiecki (Na poziomie podstawowym), włoski (Na poziomie podstawowym)
Dialekty Southern - American (Rodzimy dialekt), Standard American (płynnie)
Akcenty hiszpański (Akcent rodzimy), karaibski (Akcent rodzimy), latynoamerykanski (Akcent rodzimy), południowoamerykański (Akcent rodzimy), angielski (bardzo dobrze), maksykański (bardzo dobrze), amerykański (dobrze), argentyński (dobrze)
Taniec Bachata (bardzo dobrze), Butoh (Japonia) (bardzo dobrze), Merengue (bardzo dobrze), Salsa (bardzo dobrze), choreografia (bardzo dobrze), edukacja taneczna (bardzo dobrze), improwizacja taneczna (bardzo dobrze), taniec latynoamerykański (bardzo dobrze), teatr tańca (bardzo dobrze), Afro (dobrze), Disco (dobrze), Forró (dobrze), Freestyle (dobrze), afrykański taniec tradycyjny (dobrze), balet (dobrze), cha cha cha (dobrze), rumba (dobrze), sala taneczna (dobrze), współczesny taniec afrykański (dobrze), Capoeira (Na poziomie podstawowym), Street Dance (Na poziomie podstawowym), Swing Dance (Na poziomie podstawowym), Urban Dance (Na poziomie podstawowym), samba (Na poziomie podstawowym)
Ton głosu / dubbing głosu baryton
Instrumenty muzyczne Cajón (bardzo dobrze), bębny afrykańskie (dobrze), flet prosty (dobrze), perkusja (dobrze), Bongosy (Na poziomie podstawowym), Charango (Na poziomie podstawowym), gitara (Na poziomie podstawowym), perkusja (Na poziomie podstawowym)
Dyscypliny sportowe Tai Chi (bardzo dobrze), Tai Chi Chuan (bardzo dobrze), aerobik (bardzo dobrze), bilard (bardzo dobrze), joga (bardzo dobrze), karate (bardzo dobrze), pływanie (bardzo dobrze), boks (dobrze), flisactwo (dobrze), jezda na rowerze (dobrze), jogging (dobrze), koszykówka (dobrze), kręgle (dobrze), motocykl (dobrze), narciarstwo wodne (dobrze), pilates (dobrze), rower górski (dobrze), siatkówka (dobrze), szermierka (dobrze), sztuki walki (dobrze), DL - Laboratorium obronne / DNA Fight Science System (Na poziomie podstawowym), Fitness (Na poziomie podstawowym), ciężary (Na poziomie podstawowym), jazda na łyżwach (Na poziomie podstawowym), kajak (Na poziomie podstawowym), tenis (Na poziomie podstawowym), tenis stołowy (Na poziomie podstawowym)
Prawo jazdy samochód
Inne umiejętności nauczyciel tańca
Wygląd
Wiek grania 37 - 47
Wzrost 185 cm
Sylwetka sportowy i atletyczny
Waga 80 kg
Kolor oczu brązowy
Kolor włosów brązowy
Fryzura średniej długości kręcone
Zarost zarost
bliźniak Nie
Typy etniczne Latynos / Hiszpański, Wieloetniczny
Tatuaż tak, niewidoczne
Piercing żaden
Okulary nie
Blizny nie ma
Wykształcenie
Universidad Finis Terrae
Professional Title: Actor / Bachelor Degree: Acting
Universidad Finis Terrae
Seminar/Workshop - Acting and Television. Instructor: Ivana Chubbuck. Topic: The Chubbuck Method. Based on the techniques of Uta Hagen and Lee Strasberg.
http://matusactores.com/escuela/
Advanced On- Camera Acting - Instructor level 2: Roberto Mattus. Level 3: Paulina Garcia
Facultad de Teatro Universidad de Chile
Dramatic Mime - Instructor: Ricardo Gaete
Universidad Finis Terrae
Dance Theater - Instructor: Thomas Bentin
Universidad Finis Terrae
Body weather and manipulations - Instructor: Elias Cohen
Universidad Finis Terrae
Seminar/Workshop - Instructor: Jorge Eines. The three binominals. The scene as a situation, the character as behavior
Facultad de Teatro Universidad de Chile
Theatrical Research - Raul Osorio
Universidad Finis Terrae
Devised Theatre - Instructor: Karstein Solli
Universidad Finis Terrae
Actor's Training - Instructor: Souphiene Amiar. From the Workcenter of Jerzy Grotowsky and Thomas Richards.
Universidad Finis Terrae
Butoh Dance - Instructor: Makiko Tominaga
CV Najważniejsze informacje CV - telewizja i streaming CV - Kino CV - teatr CV - reklama CV - inne
Najważniejsze informacje
2001 - 2004
Andres Garcia
Reżyseria
członek zespołu
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
2016 - 2017
Mi Abuelo Horacio
monolog
dramat, monolog
Malucha Pinto
Reżyseria
główna rola
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
2015
Malucha Pinto
Reżyseria
rola drugoplanowa
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
2014
Malucha Pinto
Reżyseria
rola drugoplanowa
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
2013 - 2018
Aliocha de la Sotta
Reżyseria
główna rola
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
2013
Eduardo Herrera
Reżyseria
Juan José
główna rola
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
2011 - 2012
Paulina García
Reżyseria
Lina
ciągła wiodąca rola
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
2011 - 2013
Cristina Alcaide
Reżyseria
główna rola
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
2011 - 2012
Paulina García
Reżyseria
Ivanov
główna rola
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
2010
Raul Osorio
Reżyseria
ciągła rola
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
2019
Gonzalo Diaz
Reżyseria
Armando
rola drugoplanowa
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
2025
Performan
film krótkometrażowy
Antonia Renard
Reżyseria
Josué
główna rola
CV - Kino
2026
Matthias Glasner
Reżyseria
Aguti
rola drugoplanowa
Just released from prison, a former CIA Agent tries to find her daughter and lover and has to fight drug bosses, manipulative spies and inner demons.
2025
Performan
film krótkometrażowy
Antonia Renard
Reżyseria
Josué
główna rola
2019
Gonzalo Diaz
Reżyseria
Armando
rola drugoplanowa
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
CV - teatr
2016 - 2017
Mi Abuelo Horacio
monolog
dramat, monolog
Malucha Pinto
Reżyseria
główna rola
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
2015
Malucha Pinto
Reżyseria
rola drugoplanowa
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
2014
Malucha Pinto
Reżyseria
rola drugoplanowa
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
2013 - 2018
Aliocha de la Sotta
Reżyseria
główna rola
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
2013
Eduardo Herrera
Reżyseria
Juan José
główna rola
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
2011 - 2012
Paulina García
Reżyseria
Lina
ciągła wiodąca rola
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
2011 - 2013
Cristina Alcaide
Reżyseria
główna rola
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
2011 - 2012
Paulina García
Reżyseria
Ivanov
główna rola
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
2010
Raul Osorio
Reżyseria
ciągła rola
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
2001 - 2004
Andres Garcia
Reżyseria
członek zespołu
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
